Want to hire me?

Here are all the Timelines, Logistics, and FAQ’s

Timeline & Logistics

  • We exchange a few messages or hop on a short call. You share your concept, game/film themes, and any references/temp tracks.

  • I provide one draft track or short loop, based on available time. 1-2 quick rounds of edits (if needed).

  • Full tracks developed based on approved sketches. Iterative feedback rounds as needed (usually 3–4 revisions per track).

  • Final track sent as WAV or MP3.

  • Short cues (30 sec – 1 min): 3–5 days

    Full tracks (2–4 mins): 1–2 weeks

    Full OSTs or multi-track projects: Custom schedule

 FAQs

  • I offer both free and paid options depending on the scope and purpose of the project. Free collaborations are reserved for select projects I genuinely believe in, such as passion projects, game jams, or work that helps grow my portfolio. For commercial, crowdfunded, or time-sensitive projects, I offer a full range of paid services with flexible rates for indie creators.

    However, I prioritize paid work, so free projects are done on a flexible schedule. Ideal for game jams, student films, and experimental collaborations. Credit must be given. Non-commercial use only unless discussed.

  • Yes. I usually ask for the genre of music you want, the length (for example, a 30-second intro or a full soundtrack), and the overall vibe or mood you’re going for. A bonus would be sharing some reference tracks or music you’d like me to draw inspiration from. From there, I’ll create a few drafts, get your feedback, and refine the piece until it feels just right.

  • I don’t box myself into one genre. I’ve written in jazz, orchestral, electronic, hip-hop, rock, and ambient styles, often blending them together to fit the mood of a scene or game. If you have a specific style in mind, I’ll adapt to it — and if you’re open, I can also suggest unique genre combinations that might give your project a more distinct sound.

  • Revisions are a natural part of the creative process. I usually provide a few drafts early on so we can lock in the direction. From there, I include up to 2–3 rounds of revisions in the initial agreement. If you need more beyond that, we can definitely work something out — the goal is to make sure the final track feels right for your project without dragging things out.

  • Contact me! Use the Contact form HERE!